Poor Fanny Price is brought up at Mansfield Park with her rich uncle and aunt, where only her cousin Edmund helps her with the difficulties she suffers from the rest of the family, and from her own fearfulness and timidity. When the sophisticated Crawfords Henry and Maryvisit the Mansfield neighbourhood, the moral sense of each marriageable member of the Mansfield family is tested in various ways, but Fanny emerges more or less unscathed. The well-ordered if somewhat vacuous house at Mansfield Park, and its country setting, play an important role in the novel, and are contrasted with the squalour of Fanny's own birth family's home at Portsmouthand with the decadence of London. Readers have a wide variety of reactions to Mansfield Park Opinions of Mansfield Park collected by Jane Austen herself soon after the novel's publication.
By adapting the genteel, idyllic country society of Highbury to the upper- fast-paced microcosm of modern Beverley Hills, insight is given into the realignment of social values and attitudes towards class, marriage and gender roles over the past two centuries.
A variety of literary and visual techniques demonstrates that while some aspects of society have been changed, others have stayed the same. An aspect of society that is transformed and reflected in both Emma and Clueless is the rigidity of class and clique structures.
Elton conveys similar class consciousness in his rhetorical questions towards Cher: Do you know who my father is? Despite undertones of social fluidity in Clueless, the class status quo is ultimately maintained in both texts. However, proxemics at a dining table during the wedding highlights a newfound sense of social harmony now that the Tai and Cher have regained their previous positions in the social hierarchy.
Hence, the notion that class status quo must be enforced for the greater good of social harmony has been transposed from Emma into Clueless.
Socially ideal relationships and marriage is another intertextual theme that shapes the understanding of Emma and Clueless and their contexts, involving the maturation and self-realisation of Cher and Emma respectively.
Hence, both texts highlight worlds in which marriage and relationships are characterised by the need for social compatibility. Furthermore, both texts demonstrate the prevalence of patriarchal forces in marriage and relationships.
In this manner, though both texts convey female conformity to the social ideals of relationships and marriage, Emma emphasises the dominating maturity of the male, while Clueless offers a more liberalised and gender-equal interpretation of romance.
Emma and Clueless both explore female gender roles in their respective contexts, and hence reveal the limited power and control of women in patriarchal societies.
Emma, though cultured and energetic, has a lifestyle restricted to leisure, fine arts, social functions and domestic excellence. Virginity and sexuality is another aspect of gender roles that is explored in both texts.
Hence, though the domesticity of females has been preserved in both texts, the conservative sexual values of females in Emma have been liberalised in Clueless. In conclusion, Emma and Clueless offer profound and satirical insights into their respective contexts.
In analysing both texts together, the transformation of original values and attitudes can be seen, highlighting similarities contrasts between Regency and postmodern settings.
This in turn reflects a shift in values during the transformation process, hence highlighting what had been maintained or changed from the world of the original. Conclusion missing in action: Dave — Comment: From one of the most talented and hardworking students I ever taught.
This was written and rewritten over six times.
Extremely high modality a bit wordy in my opinionsuccinct answers, perfect links, with expanded, exquisite exposition and T. Really not the sort of stuff you see in students these days. Use of diction in conveying meaning insinuating, converging, transposed, liberalized, forthright, prevailing is exceptional, even beyond undergraduate level.
Works like this are a part of consistent review, and cannot be produced merely by talent — it requires constant revision and reinvention over months of continued effort.Emma and clueless comparison essaysThe process of transformation preserves more of the important ideas and concerns than it alters.
Amy Heckerling's teen film Clueless, a modernised version of Jane Austen's classic novel Emma, strongly parallels Emma's story in conditions of characte. Comparing Emma and Clueless Emma Was written by Jane Austen in All about Emma Woodhouse, her matchmaking adventures, and her own romantic life.
The reception history of Jane Austen follows a path from modest fame to wild schwenkreis.com Austen (–), the author of such works as Pride and Prejudice () and Emma (), has become one of the best-known and most widely read novelists in the English language.
Her novels are the subject of intense scholarly study and the centre of a diverse fan culture. The final day of the Ebor Festival has a great spread of races, and just one of them could be described as having a clear-cut favourite.
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In this World and the Next.
Disclaimer: Only the ideas are mine, everything else belongs to JKR. Chapter 3. Neville looked on as the only two friends he'd ever made walked out of Hogwarts, at least they said they would stay in touch, his gaze swept round the hall at the devastation left in their wake.