What do you want to become?
Please note that in the months of June, July and August, I will be posting new entries to this blog on a bi-weekly basis.
What do you think makes for a good bio these days from an artist management point of view? Boring laundry lists of accolades, credits, quotes and not conveying something distinctive OR B.
I think a good bio is one that provides only as much information as is necessary to capture the attention of the reader and keep them engrossed until the end. It should come across as professional, be well written and well organized.
It should find a good balance between sharing important factual information and also giving the reader a glimpse of what is special about the person it spotlights.
The first sentence and paragraph of a bio should help place the artist among their peers and highlight some recent significant accomplishments.
This is not achieved by the all too typical introduction that reads something like this: Joe Smith was born in Buffalo, New York in and began to study violin at the age of five with his father.
BanffMunich and Evian Invitations followed from the major concert halls and festivals of Europe, and the Parisii has since toured regularly throughout Europe and the United Kingdom.
He is the recipient of a Solti Foundation U. Career Assistance Award for young conductors. For his ongoing creative initiatives on behalf of classical music, he has been selected as a TED Fellow, joining a select group of Next Generation innovators who have shown unusual accomplishments and the potential to positively affect the world.
They might also include examples of an artist engaging in outreach or charitable activities.
I read a bio of a soprano which began: A quick visit to YouTube showed significant clips from years ago so I could deduce that the artist was still quite active. This was reinforced by a vist to Ask.
Com that indicated that satellite radio was introduced around The bios of all of the artists mentioned above remained compelling and informative to the end. None of the bios mentioned family members, as musical theatre bios so often do. I have no problem with a bio that does include such information, especially if the artist feels that their family is a major source of support to them in their career and that they bring balance and meaning to a life that can often involve long stretches of lonely time on the road.This book is intense.
You really feel that you get an insider's view of Miles' life, unedited and unabridged.
There is a great deal of interesting stories about the best jazz musicians, but also rich stories of Miles' personal life that are very raw and unapologetic. Every musician needs a bio. While it might seem like nothing more than a simple blurb, how good it is and what it contains may get or lose you paying work.
The following are some tips for writing a riveting bio that will make people want embrace you and your music. Clearly define your mission statement. Before you even think about writing a bio, you have to have a firm grasp of your story and of what your music sounds like.
How to Write a Better Bio: Advice for Artists and Musicians April 8, • Douglas Detrick • Arts Resources, Blog Not every artist will apply for a grant in his or her career, but every artist needs to know how to write his or her own bio. Johann Sebastian Bach (March 21, - July 28, ) is considered by many to have been the greatest composer in the history of western music.
Gordon Matthew Thomas Sumner CBE (born 2 October ), known as Sting, is an English singer, songwriter, and schwenkreis.com was the principal songwriter, lead singer, and bassist for the new wave rock band the Police from to , and launched a solo career in He has included elements of rock, jazz, reggae, classical, new-age and worldbeat in his music.